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Sounds ace :thumbs:

 

My RP1000 does the harmony stuff too, it's just a little more awkward to use as it wants to count in it's own way rather than something practical. Stuff like that has come on so much in recent years though, you're absolutely spot-on, my older RP6 used to have a go at it but the delay was horrendous :lol:

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Sounds ace :thumbs:

 

My RP1000 does the harmony stuff too, it's just a little more awkward to use as it wants to count in it's own way rather than something practical. Stuff like that has come on so much in recent years though, you're absolutely spot-on, my older RP6 used to have a go at it but the delay was horrendous :lol:

 

How is the Digitech stuff now? my first ever pedal board was a GNX2 which I loved until it eventually died :lol:

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I had to google that model, never heard of it! Man, things have definitely come a long way :lol:

 

Personally I really love the Digitech stuff, in terms of tone and options and definitely manufacturing I reckon they're right up there with the best. The only thing I think they fall down on is usability, as sometimes to do the simple stuff it takes an age whereas the complex things you never use seem to be really easy to access. The only thing I don't like on mine is that I can't have two modulating FX at the same time, so no chorus and flanger together for example. Not a combo I use often, but it would be nice to have the option. In fairness most other boards are the same, and I get that it's processor limited, it's just a minor annoyance.

 

Whilst part of me would love an old-skool setup of actual pedals on a lump of wood, it's also a major cost and a major faff. For someone who likes experimenting a lot, then I would never be able to cope with something so 'limited' as a handful of set pedals. Each to their own though, if I had my own definite tone that never changed then I'd be happy to simplify.

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I had to google that model, never heard of it! Man, things have definitely come a long way :lol:

 

Personally I really love the Digitech stuff, in terms of tone and options and definitely manufacturing I reckon they're right up there with the best. The only thing I think they fall down on is usability, as sometimes to do the simple stuff it takes an age whereas the complex things you never use seem to be really easy to access. The only thing I don't like on mine is that I can't have two modulating FX at the same time, so no chorus and flanger together for example. Not a combo I use often, but it would be nice to have the option. In fairness most other boards are the same, and I get that it's processor limited, it's just a minor annoyance.

 

Whilst part of me would love an old-skool setup of actual pedals on a lump of wood, it's also a major cost and a major faff. For someone who likes experimenting a lot, then I would never be able to cope with something so 'limited' as a handful of set pedals. Each to their own though, if I had my own definite tone that never changed then I'd be happy to simplify.

 

Yeh, I got that when I was 13 or something :lol:

 

Does the RP1000 have a looper? I find that is one of the best things built into these pedals.

 

The GT100 can do more than one modulation, there is a preset distorsion tone with the 2nd effect being a bass guitar. It really does just sound like a guitar and bass playing. You obviously can't play a chord, but single notes sound pretty cool.

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I have that effect too, it's a little bit clever :)

 

It does have a looper, but it's a bit of a faff to get to sadly (told you!) but it is really cool when you get it working. I need to explore that a bit more really, might have a noodle around tonight I think.

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I have that effect too, it's a little bit clever :)

 

It does have a looper, but it's a bit of a faff to get to sadly (told you!) but it is really cool when you get it working. I need to explore that a bit more really, might have a noodle around tonight I think.

 

The Gt10 used to be hard to kick off standing up as you need to hold 2 buttons down at the same time. The GT100 has a button just for looping. Not sure I would fancy using it live though unless the drummer had a metronome in his ear!!

 

100% get looping tonight! I alway just knock in a few chords and just solo for far too long :lol: I use it for teaching as well, I just loop the chords in and then I can focus on what they're playing/trying to play :lol:

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I guess my biggest issue with that is I can't solo for toffee :blush::lol: Never appealed to me when I was younger, so I stuck with rhythm playing as I find it more fun.

 

I mean, I can play basic solos but nothing proper fast or anything. Just never been my cup of tea, no idea why.

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I guess my biggest issue with that is I can't solo for toffee :blush::lol: Never appealed to me when I was younger, so I stuck with rhythm playing as I find it more fun.

 

I mean, I can play basic solos but nothing proper fast or anything. Just never been my cup of tea, no idea why.

 

Honestly!? I play in a function band, we do a 3 hour set of 60/70/80 rock/mowtown... literally any chance i get to pick a song, it normally has a 5min guitar solo :lol:

 

Definitely try and learn to improvise, loop in something simple like Am & F then look up Am pentatonic. Familiarise yourself with one part of the guitar and just do what you want!

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There's a few vids on YT that are just backing tracks, I had a go last night with them. The missus was not impressed with my efforts :lol:

 

I did try learning the Enter Sandman solo which is supposed to be very easy, but I find it hard to pick out the exact notes when there's a wah being used. Managed to do most of the second part of it, but not exactly what you'd call nailed down.

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There's a few vids on YT that are just backing tracks, I had a go last night with them. The missus was not impressed with my efforts :lol:

 

I did try learning the Enter Sandman solo which is supposed to be very easy, but I find it hard to pick out the exact notes when there's a wah being used. Managed to do most of the second part of it, but not exactly what you'd call nailed down.

 

You nailed it, add the wah adds mess!

 

a better solo to learn from Metalica is probably nothing else matters. It will push you a little but its not too long that you will need to put hours in to learn/remember it. Another one I always tend to use to teach is Whiskey in the jar. The Thin Lizzy version though. The intro is pretty good and the solo is really easy...loooong.. but easy.

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Oops, missed your last post dude! Fun fact: I made the DJ play the Metallica version of Whiskey at my wedding, simply because it's awesome B)

 

 

Think I've nailed down the list of guitars that I'll be trying on the weekend:

 

Epi 1984 Explorer

ESP LTD Snakebyte

Gibson Explorer 2017 HP

Chapman Ghost Fret

 

Pretty much decided I want an Explorer-type simply because it looks so much cooler than a Les Paul, just hoping one of those is comfortable to play. Initial thoughts going on interwebs and guesswork:

Epiphone will likely feel outclassed, but then I have budget to replace the pups with something proper EMG 81/60s

Snakebyte has probably the exact tone I want, but I'm not sold on the shape. Being a signature edition doesn't bother me, although I know some hate them.

Gibson has a slightly wider fretboard so may be too fiddly, however the extra bits over the T (especially the G-Force auto tuning) is too cool to pass up.

Chapman is an unknown, although the guy at Andertons said it was definitely worth trying (I'm aware of the link between Chapman and Andertons, so may just be sales patter!)

 

May end up buying none, may end up with something completely different. We shall see :)

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Oops, missed your last post dude! Fun fact: I made the DJ play the Metallica version of Whiskey at my wedding, simply because it's awesome B)

 

 

Think I've nailed down the list of guitars that I'll be trying on the weekend:

 

Epi 1984 Explorer

ESP LTD Snakebyte

Gibson Explorer 2017 HP

Chapman Ghost Fret

 

Pretty much decided I want an Explorer-type simply because it looks so much cooler than a Les Paul, just hoping one of those is comfortable to play. Initial thoughts going on interwebs and guesswork:

Epiphone will likely feel outclassed, but then I have budget to replace the pups with something proper EMG 81/60s

Snakebyte has probably the exact tone I want, but I'm not sold on the shape. Being a signature edition doesn't bother me, although I know some hate them.

Gibson has a slightly wider fretboard so may be too fiddly, however the extra bits over the T (especially the G-Force auto tuning) is too cool to pass up.

Chapman is an unknown, although the guy at Andertons said it was definitely worth trying (I'm aware of the link between Chapman and Andertons, so may just be sales patter!)

 

May end up buying none, may end up with something completely different. We shall see :)

 

I wasn't allowed anything cool at our wedding :lol:

 

My mate had the epiphone explorer but this was about 15+ ago that I played it. I remember that it was ok to sit down with but couldn't comment on anything other than that it was sooo long ago. He had the yellowy woodstain finish which looked pretty nice.

 

my 2p would be to have a look at the ESP EC-1000, I have nearly bought one of these about 3 times :lol: It's a slightly more pointy les paul but some of the finishes are stunning. Really nice matt black with gold edges and hardware... it also comes with EMG's which IMHO are a must if you have more than one guitar!

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I played piano for 10 years as mum lied to me telling me it'll help get women. Tried the guitar but could never make my fingers change they way they behaved. Always like the idea of drums but as the SO like to point out I have no natural rhythm.

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Heh, I started on piano too when I was 10/11, but gave up lessons as it clashed with Thundercats on tv. Picked up bass when I was 14, then guitar a couple of years later.

 

Drumming came much later, think I was about 30/31 at the time when I got my electronic kit. I'm just waiting for my soundproof shed to be finished then I'll get an acoustic kit in there :)

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Bought one! :D

 

34E5F1D6-DDFA-4B4B-9569-321A1AF06837_zpsvkafikq6.jpg

 

ESP LTD Snakebyte, in satin black.

 

Chuff me, I thought car buying was hard! Great setup at Andertons, literally you grab a booth then just go and help yourself to the guitars you want to try, back and forth as long as you want. I spent over three hours playing various things including the Snakebyte, Epi Explorer, both T & HP Explorers, an X series Jackson, a Pro series Rhodes V Jackson, Gib Flying V, Gib SG, along with a Jaguar and US Strat just for tone comparison as I wasn't using my regular amp. To cut a long story short:

The Epi was too weedy in this company

The X Jackson way more fun and toneful than I expected but I'd want that shape in a Pro version which they don't do

The V Jackson was really not for me at all

The Gibson V was huge fun but I don't suit the shape

I remember I don't like Strats at all, and the Jaguar wasn't as easy to run chords off on as my Mustang is.

I actually preferred the T Explorer to the HP, as the tone was too bright on the fancy one for my taste plus the neck felt too big at the nut end, so it ended up a straight fight between the Snakebyte and the Explorer T.

 

 

ESP was easier to move quickly up and down the neck due to the satin finish, slightly heavier at the head and not as comfortable to hold either sitting or standing. Tone was gritty and dirty, yet the clarity on the clean was gorgeous.

Gibson was a much better all-rounder, with a tone that could go from classic rock right up to metal, and it felt so, so right just holding it. Not quite as hard hitting on the low end due to the pups being Gibson's own over the active HetSet (based on the 60/81s) EMGs on the ESP.

 

 

If I had to choose one guitar to play forever, I'd have taken the Gibson. Lovely thing, so much more versatile, and I definitely prefer the shape of the body. However I already have guitars that can cover the brighter end of the rock spectrum, and I wanted something that would specialise in chugging away metal riffs all day long: That was the Snakebyte. It's raw, it's hard, it's crunchy and it's clear. Had a bit more of a play on my setup at home today and it's now got me wanting a proper valve amp to do it justice. Tried it back to back with my Mustang and it was clear that I made the right choice, as you could not get two more different tones. Very happy with it, despite it being bang-on the top end of my budget.

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Bought one! :D

 

34E5F1D6-DDFA-4B4B-9569-321A1AF06837_zpsvkafikq6.jpg

 

ESP LTD Snakebyte, in satin black.

 

Chuff me, I thought car buying was hard! Great setup at Andertons, literally you grab a booth then just go and help yourself to the guitars you want to try, back and forth as long as you want. I spent over three hours playing various things including the Snakebyte, Epi Explorer, both T & HP Explorers, an X series Jackson, a Pro series Rhodes V Jackson, Gib Flying V, Gib SG, along with a Jaguar and US Strat just for tone comparison as I wasn't using my regular amp. To cut a long story short:

The Epi was too weedy in this company

The X Jackson way more fun and toneful than I expected but I'd want that shape in a Pro version which they don't do

The V Jackson was really not for me at all

The Gibson V was huge fun but I don't suit the shape

I remember I don't like Strats at all, and the Jaguar wasn't as easy to run chords off on as my Mustang is.

I actually preferred the T Explorer to the HP, as the tone was too bright on the fancy one for my taste plus the neck felt too big at the nut end, so it ended up a straight fight between the Snakebyte and the Explorer T.

 

 

ESP was easier to move quickly up and down the neck due to the satin finish, slightly heavier at the head and not as comfortable to hold either sitting or standing. Tone was gritty and dirty, yet the clarity on the clean was gorgeous.

Gibson was a much better all-rounder, with a tone that could go from classic rock right up to metal, and it felt so, so right just holding it. Not quite as hard hitting on the low end due to the pups being Gibson's own over the active HetSet (based on the 60/81s) EMGs on the ESP.

 

 

If I had to choose one guitar to play forever, I'd have taken the Gibson. Lovely thing, so much more versatile, and I definitely prefer the shape of the body. However I already have guitars that can cover the brighter end of the rock spectrum, and I wanted something that would specialise in chugging away metal riffs all day long: That was the Snakebyte. It's raw, it's hard, it's crunchy and it's clear. Had a bit more of a play on my setup at home today and it's now got me wanting a proper valve amp to do it justice. Tried it back to back with my Mustang and it was clear that I made the right choice, as you could not get two more different tones. Very happy with it, despite it being bang-on the top end of my budget.

 

Well done mate, new guitar day is always a good day.

 

Whats the 61 like? It's the 81/89 I have on my hellraiser solo 6.

 

My mate has a blackstar valve head/cab which sounds really good. It will probably cost you half vs the marshall equivalent!

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Funnily enough I've been looking at the Blackstar stuff, any idea exactly which one it is he runs? Never been massively keen on Marshall tones, so I'm eager to try other stuff out. I was using a little 15w Egnater head and 1x12 cab on Saturday, which was lovely but a little limited with regards to an ultra clean sound. Smashing amounts of gain though.

 

 

It's not quite the 60 on mine, but it's close to it with just a little more depth over the standard one. It's certainly got more low end for sure, but also I think it sounds like there's more working in the very higher frequencies too. I'd argue it's more of a bluesy tone than a strict metal one, but then that might just be my limited use of it with my own setup so far.

 

Tell you what I do really like though, the satin neck. Soooooo much easier for zipping up and down for quick chord changes, never used one before and now I'm not sure I'll ever go back.

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Funnily enough I've been looking at the Blackstar stuff, any idea exactly which one it is he runs? Never been massively keen on Marshall tones, so I'm eager to try other stuff out. I was using a little 15w Egnater head and 1x12 cab on Saturday, which was lovely but a little limited with regards to an ultra clean sound. Smashing amounts of gain though.

 

 

It's not quite the 60 on mine, but it's close to it with just a little more depth over the standard one. It's certainly got more low end for sure, but also I think it sounds like there's more working in the very higher frequencies too. I'd argue it's more of a bluesy tone than a strict metal one, but then that might just be my limited use of it with my own setup so far.

 

Tell you what I do really like though, the satin neck. Soooooo much easier for zipping up and down for quick chord changes, never used one before and now I'm not sure I'll ever go back.

 

I think its the HT stage 100 but don't quote me on that!

 

Best go to a music shop and have a play about with them!

 

The EMG's are unbelievably versatile, I bring the strat to gigs for the "cleaner" songs but I find myself using the EMG's for more and more. I am lucky if I use the strat for about 7 songs.. and I still only use the strat as they're songs that have that "strat" mowtown sound.

 

I know what you mean about the satin neck, some of these painted/treated necks give too much resistance!

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